How we work.
We don't have one voice — we have three. Direct with partners, narrative with press and festivals, technical with crew. All of them start from the same place: clarity before enthusiasm.
We name things.
“A horror film directed by Chris Butler, in pre-production for 2026” is better than “an exciting project in development”. We choose the sentence that points at something real.
We talk about the money.
We talk about the model openly: roughly 50% public incentives (Bizkaia, ICAA, Eurimages), roughly 50% financing partners and sales agents. Transparency is part of the brand. Sales agents who also act as financiers align interests right from development.
Slow is a feature.
A good story is told slowly. So is a good investment proposal. We choose slowly, write slowly and shoot with the time the image needs to settle. The rest shows up on screen.
Three languages, one register.
Basque and Spanish in the domestic market; English for international co-production, financing partners and sales agents. Never mixed without good reason.
“A production company is its next ten films, not its next one.”
That is why we choose slowly, write slowly and shoot with the time the image needs to settle.
See the slate →